Back to work

Turning invisible emissions into visible responsibility.

Carbon Bombs is a data platform mapping the world's largest fossil fuel projects — those capable of emitting more than 1 gigaton of CO₂ each. Built with Data For Good as a research, journalism and advocacy tool. The goal isn't just to inform, but to shift perception: from abstract climate risk to specific, accountable actors.

Role
Product Designer
Year
2024 — 2025
Context
Data For Good · Freelance
Featured
Le Monde · Guardian · TF1
CarbonBombs.org — project presentation
The problem

01The climate paradox

Climate data is scientifically robust, experientially distant.

Emissions are invisible. They're projected into the future. They're disconnected from anything we touch in our everyday life. The result: responsibility remains diffuse, and the people closest to the source — fossil fuel projects, companies, financiers — stay comfortably untraceable.

Data For Good came with a sharp, uncomfortable question we wanted to make impossible to dodge.

The brief

How might we make future emissions tangible, understandable, and attributable?

22 of the world's largest carbon bomb projects
Source · Carbon Bombs Project
The approach

02Redefining the map

The brief said map. A map shows what's there — not what shouldn't be.

The original idea was simple: plot the largest fossil fuel projects on a world map. I started designing it that way. Halfway in, I realised the map was answering the wrong question.

A map shows where. It doesn't show which banks are funding extractions that already break international accords. It doesn't show that the same five companies are behind a quarter of these projects. It doesn't show that some of these sites haven't even broken ground — and were never supposed to.

The data Data For Good had collected wasn't a list of places. It was a network: projects → companies → financial backers → countries → treaties. The product had to be one too.

The shift

Stop designing a map of carbon bombs. Start designing an accountability graph that uses the map as its front door.

Key decisions

03The shifts that mattered

Four design moves shaped the entire experience — each one a deliberate trade-off between accuracy and clarity.

Keep the map. Demote it.

The map stays — it's the most intuitive way to navigate global data. But it stops being the answer. It becomes the front door: a way in, not the place where understanding ends.

Build the graph beneath it

Every entity becomes a card with its own profile: companies, banks, countries, LNG terminals, new extractions, carbon bombs. Each card links to every other card it's tied to. The product is a network of relationships, not a dataset.

Draw the relationships on the map

The most loaded design move: when a user opens a company, the map redraws to show the lines — to its projects, its banks, the countries that protect it. The network becomes spatial. Accountability becomes a picture.

Two-speed audience

Designed first for the people who'd actually use it as a working tool — investigative journalists, NGOs, climate researchers. Then progressively layered the entry points and framing for a broader public audience, without dumbing down the depth.

Why we kept the map

04The front door, not the answer

The map became a navigation surface — and a place to draw the lines.

I almost cut it. Then I realised the geography wasn't the problem — being stuck in the geography was. The map is still the most legible way for a non-expert to grasp scale and reach. The fix was to let it redraw itself: when you open a company card, the map redraws with lines to its banks, its projects, the countries that shield it. Same canvas, completely different question being answered.

Company profile — the map redraws to show ties to banks, countries, carbon bombs, LNG terminals and new extractions
The map redraws with ties to banks, countries, projects & extractions.Company profile
Trade-offs

05What had to give

A graph this dense forces choices.

Every relationship I exposed was a relationship someone could get lost in. Every dataset I pulled in was uneven — different years, different methodologies, different definitions of what even counts as a “project”. The hard work wasn't showing the data. It was deciding what to leave out without lying.

Density

A company can be tied to dozens of projects, banks and countries. Showing every link kills readability. We surfaced the ones that carry meaning, hid the rest behind progressive disclosure.

Uncertainty

Emissions are projections, not facts. We had to communicate ranges and assumptions without making the whole tool feel wobbly — credibility was the entire product.

Two audiences

Investigative journalists wanted depth and traceability. The general public needed an immediate hook. The same screens had to serve both — without dumbing down for one or alienating the other.

Trade-off

Depth vs First glance

Trade-off

Completeness vs Trust

Company emissions — realised CO₂ vs projected emissions over time
Realised vs projected — uncertainty made visible.Emissions
Impact

06Where it landed

The reframe worked. The press picked up the graph, not just the map.

CarbonBombs.org became a primary source for climate journalism in France and beyond. Le Monde's Les Décodeurs built a full longform investigation around it. The Guardian had already been working from the same dataset. France Info, TF1 Info and a long tail of newsrooms followed.

The decisive thing wasn't that the data got published — it's that journalists could now pull threads: starting from a project, finding the company, then the bank, then the country's position on the latest climate accord. The structure of the tool became the structure of the story.

NGOs

As a research and campaign tool to back claims with verifiable data.

Journalists

As a structured source for investigations and editorial features.

Advocacy groups

As a communication lever to pressure financial institutions and policymakers.

What I took away

07Lessons

  • 01Data alone doesn't create impact — framing does.
  • 02Simplicity is essential when dealing with complex systems.
  • 03Design can play a real role in shaping public accountability.

Carbon Bombs isn't just a data visualisation. It's a tool to make responsibility visible — and therefore harder to ignore.